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You are here: Home / Shop / eBooks / Scags at 7 – eBook
Scags at 7 front cover.
Scags at 7 back cover.

Scags at 7 – eBook

$5.95

Scags at 7 is the first in a series of four books by author Deborah Emin. They are all told in Scags’ voice as she grows and develops, moving from the relative safety of home in Scags at 7, to the world of college in the 1960s, to New York City during the turbulent 1980s and into Scags’ middle age where she ends her saga, but not the overarching story of the entire series. The series is an attempt to capture a woman’s journey from childhood onward, a constant coming of age story that never really ends.

 

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Category: eBooks. Tags: Deborah Emin, eBook, EPUB format, MOBI format, Novel, PDF format, Scags, Series.
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Product Description

“I made up the name that everyone calls me. I made it up because I didn’t like the name Mama gave me when I was born when no one could ask me what I wanted to be called.”

The year is 1958, and in a middle-class suburb of Chicago we find Scags about to begin her summer vacation. It would be a perfect time except that her best friend, Julia, is about to leave for summer camp. After Julia leaves, Scags thinks the most difficult challenge of her summer will be making a new friend. But slowly, she notices strange things beginning to happen to her Pops. Pops, her father and favorite adult, is not the same and her mother and grandparents are speaking in hushed tones. As her relationship to her Pops changes from trusting and caring to frightening and unexpected, what begins as an innocent summer vacation quickly transforms into a roller coaster ride of actions, emotions, and trying to understand the inexplicable behavior of adults.

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Scags at 7

Deborah Emin

Copyright © 2006 by Deborah Emin

All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the publisher, except by a reviewer who may quote brief passages in a review.

This is a work of fiction. Names, places, characters, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual people, places, or events is entirely coincidental.

Previously published by Kedzie Press, Chicago, IL

Published by Sullivan Street Press, Inc., New York

Cover and interior design by Patricia Rasch

Library of Congress Control Number: 2008912054

ISBN: 978-0-9819428-2-7

Printed in USA

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1

Names

I made up the name that everyone calls me. I made it up because I didn’t like the name Mama gave me when I was born when no one could ask me what I wanted to be called. So I’m called, because I say so, Scags. Scags? Mama asked, her voice high and cracking. Scags? Pops said like it was a new penny in his palm. Yes, Scags, I said. That is what I called Pops’ cigar when I was two years old and by the time I was four I told them that’s what I want to be called. Pops shook my hand, picked me up and twirled me around until I felt like a rope waving straight out from him. I felt dizzy.

Mama said, Your name is Celia. You’re named after my mother, Cordelia. Your name is Celia Harper Morgenstern. I can’t call you Scags, she said. But Pops said to Mama, Of course you can, she looks like a Scags, red curly top like a lit cigar. She seems so happy when she says call me Scags, how can you refuse?

I was named for my grandmother Cordelia, but she won’t care if I change my name, she’s dead. I say that to Mama, She’s dead. Mama says, I know, gives me a look like it is a big secret, and then says again, I know, don’t remind me. I don’t know why Mama wanted to name me after her mother anyway. Mama told me how Cordelia yelled at her all the time and pulled her braids and laid up in bed asking for a glass of orange juice or a cup of tea, not in a nice voice, but in an if-you-please voice. She demanded it and made Mama clean the house and wash the clothes, and always yelling. Mama said Cordelia was only quiet when she was asleep.

Scags is a different sounding name. I listen to my Pops come home and call out Scags and I know who I am. I love the name Scags, SCAAAGS. Scags sounds like a car horn beeping once to say hello, like a leap into dry leaves all raked up in a pile, or like the sound a dog makes, his claws racing on the sidewalk when his owner lets him off the leash.

I think of myself as Scags and that Celia was my baby self, what I was called before I knew what my real name was. Celia’s not a special enough name. I don’t like the sound of it, like a match flame hitting water, like a bad slip in the sandbox, like a spooky sound coming from the trees at night. It ends. It doesn’t begin. When I watch Pops light up his big cigar, take long pulls on it and the tip glows red, redder, orange, it’s just like my hair, that’s like the tip of me too, all my red hair falling down my back, and I know I need to be called Scags.

I have a feeling about Mama’s and Pops’ names too. Pops, my Pops, with his wavy black hair, black glasses and cigar had me call him Pops right from the start. When I was little it came out of my mouth so fast that I had to say Pops-Pops. But now I just say one Pops and he smiles at me and he is so tall and handsome and fun that I want to be with him all the time. I said to him, All the kids in this neighborhood call their fathers Daddy. Why are you different? Pops says, he knows that and since he is the only one called Pops that if I’m ever in trouble all I have to do is call out Pops and he’ll come running as fast as he can.

Mama? I ask her, do you like being called Mama? That’s what she told me to call her when I was a baby. I like saying Mama, I like whispering Mama when Pops and Mama are talking and how she looks at me, touches my cheek and continues talking to Pops. When I ask her, Do you like being called Mama, she always says, Yes, yes I do, it’s what I called my mother.

We live in a brand-new neighborhood. We moved here when I was a baby. There are still empty lots and places to explore. Pops is Jewish and Mama’s not. Most of the kids here are Jewish and call their parents Mommy and Daddy. We live here with them and I like the name of the street, Kolmar, and the name of the school, Devonshire, and the name of the place, Skokie, and that there is an Indian village Mama took me to called Maskokie Village where she bought me a bow and arrow. Down the road from there is an amusement park called Ride ‘Em where with the tops of milk cartons you can get free rides. I use all my tickets on the roller coaster called Bronco and I sit in the front seat with my best friend Julia whose name I like sometimes and sometimes I get this feeling I’d like to call her what no one else calls her but I don’t know what that would be. We sit in the front seat and after the roller coaster climbs to the top of the track, it goes straight down this long, steep hill and I feel the wind against my chest and we yell all the way down because that’s what roller coasters are for.

Mama likes to yell too. She’ll yell at me and call me Celia when she’s angry at me, then she’ll yell, Ceeeliaaa, if I’ve left my bike in the driveway, she yells out of her car to move the bike so she can get into her side of the garage. Or sometimes she yells because I’ve messed up my room after Odessa cleaned it and made it neat. Mama does like to yell, but she yells mostly at Odessa. Odessa has to keep the house clean as if it were her house and every bit of dirt was her fault. Mama yells at Odessa a lot, that is, until Pops comes home from work. Then she wants to make it nice for Pops. She wants Pops to enjoy the dinner that Odessa cooks up for him, something much better than Mama could ever cook. Mama is a terrible cook.

Odessa has a funny name. I don’t know why she has it but it was her Mama’s and her great grandmother’s name. I like saying it. I like saying O—dess-a as if I was chewing Jujubees, O—chew—dess—chew-a, it tastes so good.

I made up the names for Pops’ parents too. I call Pops’ pop Boomer because he is so big and booms out when he talks and always says “boom” when I land in his lap. I like calling him Boomer, he’s like a baseball caught in a catcher’s mitt. And Pops’ Mama I call Goldie. She is little, with white, white hair and big ears and wears all this gold jewelry on her ears, around her neck and wrists and has a big gold ring Boomer gave her. It all flashes and shines and she is Goldie.

And if you think those are funny names, how come Boomer and Goldie named Pops’ sister Money? Isn’t that a funny name? Money honey don’t get funny with me. Who’s that funny Money’s honey?

So we all have our names. I sit on my Pops’ lap blowing bubbles with him, only mine always explode on my nose and he sucks his back and breathes out my name, Scags, and it is my name and he is Pops and no one in the neighborhood has names like us.

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EPUB, MOBI (Kindle), PDF

4.75 out of 5

8 reviews for Scags at 7 – eBook

  1. 5 out of 5

    Kevin McTighe – September 2, 2011:

    Scags at 7 is the beautifully written story of a young girl whose dreamy visions of early childhood are about to be shattered by the encroaching realm of adults.

    Deborah Emin has given us a novel which captures the heartbreaking innocence of young Celia Harper Morgenstern in the face of a juggernaut of reality. Her adventures in the summer between the second and third grade take her on a journey filled with heartache and laughter, confusion and the crystal clarity of an eastern sage. Indeed, she sometimes sees through the haze of adult sophistication with a mature simplicity which belies her age.

    Scags is the unifying factor in the web of characters who define her world. Her allegiance to her “Pops” through it all will reassure the most jaded among us that love can not only carry us through the hard times, it can keep the promise of the future alive in all of us.

    Scags at 7 is a buoyant, wonderful homage to the human spirit. I enthusiastically recommend it.

  2. 5 out of 5

    Paula Kamen – September 2, 2011:

    [Deborah] skillfully draws us into the multi-layered 1950s suburban world of her young heroine and her family, capturing a very specific moment in time. In this life-defining summer, we are drawn in by Scags’ distinct voice of wonder, boisterousness and vulnerability. A story that truly packs a punch.

    Paula Kamen, author of All in My Head

  3. 5 out of 5

    Donna Minkowitz – November 15, 2011:

    Her voice is fresh, vibrant, and winning. Deborah Emin’s rendition of a smart, strong, scrappy seven year-old facing some difficult experiences is wonderfully authentic and appealing. Scags’ exhilarating energy gives me strength I can use in my own 42 year-old life.

    Donna Minkowitz, author of Ferocious Romances

  4. 4 out of 5

    Neil Intraub – January 3, 2012:

    Deborah Emin creates an authentic child’s voice that bubbles forth from a freckle faced, red-headed seven year old who christens herself “Scags”, a name she gave to her father’s red tipped glowing cigars when she was two years old. Scags at 7 takes us on a journey back to childhood replete with observations and insights that make us squint and nod, dislodging our adult filter, conjuring the myriad forgotten details that pulsed and burned and danced our own childhoods to life.

    With deceptively simple language, Emin weaves a tale that begins with Scags’ unconditional love for “Pops”, a fun-loving, gregarious father who allows her such ecstasies as steering the family car and walking on the kitchen ceiling.

    As Pops’ behavior becomes more and more erratic, Scags bears witness to the hard lessons life has to offer. This is a refreshing book that reveals the sweet honesties of childhood without ever descending into the realm of maudlin manipulation.

  5. 5 out of 5

    Jennifer Alexander – January 31, 2012:

    I really enjoyed reading this book and by the end I wished I was able to think and see the world as a 7 year old again. This is an honest story told with the honest views of a child.

    It is so well written that it would be easy to read in one sitting if you have the time!

  6. 4 out of 5

    Stephanie Dickinson – March 8, 2012:

    Deborah Emin’s passionate Scags at 7 is an exploration of a dark familial reality, told to us by a precocious girl-child, age 7.

    We are immersed in a sensuous Midwestern landscape, sights and sounds fraught with the newness and uniqueness of each of Scag’s moments. Scags at 7 is peopled by a host of richly drawn, unforgettable characters. The reader experiences this lyrical tour de force as if she too was a child – before the blindness and blunting of adulthood.

    Emin has written a magical, haunting novel, a child walking the knife-edge between comedy and tragedy, speaking in a joyous and melodious tongue.

    Stephanie Dickinson, author of Half-Girl

  7. 5 out of 5

    Robin Locke Monda – May 25, 2012:

    I just finished reading Scags at 7 and I loved it! [Emin} really captured the 7-year-old’s point of perspective of adult goings-on, and how mysterious happenings in the lives of adults so heavily effect young kids.

    Thank you for a wonderful book. Now I’m looking forward to reading Scags at 18!

  8. 5 out of 5

    Jonathan Odell – September 2, 2012:

    Finished Scags at 7 last night. I absolutely loved it. I fell hard for this child. Emin captured perfectly and oh so believably the thoughts, feelings and perceptions of a seven year old. As a writer, I learned much from this great read! Thanks, Ms. Emin for creating such a gem.

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